The Nikon Zf Mirrorless: A Bridge Between Worlds

A lot of the buzz surrounding the full-frame mirrorless Zf revolves around its attractive retro design, which is well-deserved. Nikon has a knack for camera aesthetics, and the Zf certainly captivates.

However, the buttons and dials are not just nostalgic. The camera is user-friendly, with exposure mode, ISO, shutter speed, exposure compensation, and video controls neatly arranged on the top deck, highlighted by a stylish chrome shutter button. The Zf facilitates creativity without overwhelming the user; it’s uncomplicated yet highly capable.

I own the kit version paired with the Nikkor Z 40mm f/2.0 SE. It’s my only Z-mount lens, and I enjoy its aesthetic on the Zf; it’s compact, not overly wide, and has a decent speed. (I’d love to see more SE optics released—perhaps a 105mm to complement the existing 28mm and 40mm?)

I also possess the FTZ II adapter ($249), which is vital to this narrative. Currently, it connects with my classic AF-S Nikkor 50mm f/1.8 G ($196), an outstanding lens. The combined height of the adapter and lens is 3.25" (just over 80 millimeters), while the NIKKOR Z 50mm f/1.8 S (the native lens for the Zf) measures 3.41" tall (86.5 millimeters) and retails for $526.

Truthfully, I prefer the traditional look of the older AF-S lens, which I already own.

The same applies to my zoom lens, the AF-S Nikkor 24–85mm f/3.5–4.5 G. With the adapter, it stands at 4" tall. The NIKKOR Z 24–70mm f/4 S measures 3.48" and has a price tag of $996. (I appreciate being able to utilize the equipment I already have.)

Funny aside: I often wished I had opted for the VR version of my 24–85mm. However, thanks to the Zf’s 5-axis IBIS system, all my lenses are stabilized now. It seems technology (Zf’s IBIS) has finally caught up with my frugality (non-stabilized zoom lens).

If I’m willing to manually focus, I can utilize all my F-mount lenses with the Zf via the FTZ adapter. I’m eager to experiment with portraits using the 105mm f/2.5 and 100mm f/2.8 Series E lenses. Still, I would definitely purchase a Z-mount 105mm f/2.5 SE telephoto if Nikon releases one.

The Zf has unified my Nikon experience. Instead of regretting my unused optics, I’m now excited to have a comprehensive full-frame kit for the price of a body and an adapter.

A Very Modern Skill Set

The true brilliance of the Nikon Zf lies in its sophisticated features, masked by its classic appearance. It boasts a vibration reduction system rated for 8 stops of stabilization, with focus-point IS that prioritizes stabilization in the focused area—very clever.

It's now Nikon's benchmark for low-light autofocusing, functioning effectively at -10EV with an f/1.2 lens. Thanks to sensor-based stabilization, the Zf offers pixel-shift capture, achieving up to 96 megapixels—four times its native 24 MP resolution.

With Pre-Release Capture, first introduced in the Nikon Z9, you can start shooting before fully pressing the shutter button. A half-press allows the camera to shoot a series of images at up to 30fps (in JPEG) prior to a full press. I have a similar feature on my OM-D, which I love.

Computational photography capabilities include subject detection for various categories like cars, people, animals, and airplanes, and it’s compatible with MF lenses. The Skin Softening feature smooths out imperfections while keeping the eyes and hair sharp. The new Rich Tone Portrait feature in the Zf enhances skin details while minimizing white clipping.

Having enjoyed these features on the OM-1, I’m pleased to find them in an affordable full-frame camera, broadening the range of assignments I can accept.

Then There’s Video

The Zf can record for up to two hours directly onto a memory card without needing an external device. Its 4K 30p capture is oversampled from the sensor’s 6K image data. Additionally, slow-motion recording is available at 4K 60p or 1080 120p (the 4K 60p switches to DX-crop mode).

For added stability during handheld shots, electronic VR works in tandem with sensor-shift VR. Nikon has also introduced a new shutter priority mode for video, allowing you to maintain a fixed shutter speed while the Zf smoothly adjusts ISO and aperture to keep brightness even.

In my initial video tests, everything functioned seamlessly. I connected my Rode VideoMic Pro to the mic jack, monitored audio through headphones, and recorded clear video with excellent sound. The files were easy to edit in Final Cut Pro.

Though filmmaking isn't my primary focus, I often find myself needing to capture video quickly and effortlessly. The Zf’s capabilities will likely elevate it to my go-to video camera.

A Couple of Pleasant Surprises — Battery and Charger

The Zf comes with an EN-EL15c Lithium battery, rated at 7V, 2280 mAh, and 16Wh. Users can anticipate around 360–380 shots per fully charged battery. A second battery costs $69, and if you want a charger, it’s an additional $55 for the Nikon MH-25a. As with all photography accessories, costs can add up.

You can recharge the EN-EL15c in-camera using the included USB-C cable, though this isn't the most convenient option if you're managing multiple batteries.

Fortunately for Nikon users, the company has maintained consistency in its Lithium battery design. I retrieved the EN-EL15 battery from my aging D610, rated at 7V, 1900 mAH, and 14WH, and placed it in the Zf. The camera powered on and delivered excellent exposures, with no noticeable differences compared to the original battery. While it might not achieve 380 shots, I estimate it should last at least 300.

Nikon clarifies: “EN-EL15b and EN-EL15a batteries can be used in place of the EN-EL15c. Fewer pictures may be taken per charge than with the EN-EL15c.”

The Nikon MH-25 external battery charger from the D610 also works perfectly with the new EN-EL15c battery. This means I have an extra Nikon battery and an external charger for both.

While rummaging through my Nikon gear, I uncovered a delightful HN-3 metal lens hood. Since Nikon maintains the 52mm filter thread for its 40mm Z lens, I could add both the classic metal lens hood and a Nikon L37 protection filter to my setup.

The Zf is becoming increasingly timeless.

Missing Features I Don’t Mind

While it lacks a pop-up flash—something that would be convenient but inconsistent with the camera's character—my D610 serves as my full-frame backup and has a built-in flash, so I’m content.

Some reviewers have expressed dissatisfaction with the second card slot designed for Micro SD. I might be too lenient, but I’m thrilled they managed to incorporate a second card slot. I use it for backups, and so far, I have encountered no issues with the Micro SD.

The card slots are located within the battery compartment rather than on the camera's right side. I agree that this setup isn’t as convenient as having a dedicated door on the exterior, especially since I need to remove the battery to access the Micro SD.

However, I’m considering the SmallRig L-Shape Grip ($40), which offers a more comfortable hold and Arca-type compatible dovetails on the bottom. This accessory will work seamlessly as there are no slots on the right side to interfere, making the memory card placement more bearable.

Missing Feature I Do Care About

Many users have reported that the Zf can accommodate a threaded cable release in the chrome shutter button. However, my attempts with various cable releases have failed, leading me to believe those threads are solely for a soft-touch button.

What a disappointment! If you’re going to include threads in the shutter release of a vintage-style camera, they should function. I doubt this is something that can be fixed through firmware.

There’s always a catch...

Low Light Photography

I recently had the opportunity to photograph the interior of a commercial haunted house just before opening night—an ideal low-light assignment. The last time I had a gig like this, I was testing a Sony A-Series full frame, which struggled but ultimately managed.

Armed with the Zf, I ventured into the Haunt at ISO 25,600. Initially, I thought I could use the 40mm at f/2. However, due to tight spaces, I switched to the 24–85mm zoom, which has a maximum aperture of f/3.5 at 24mm.

I had to move quickly before the doors opened to the public, rushing from scene to scene with minimal time for adjustments. Most of my shots were taken at 24mm, f/3.5, with shutter speeds of 1/15th of a second, handheld, and ISO fluctuating between 12,800 and 25,600.

The shots appeared promising on the LCD, but we all know how that can be misleading. Later, when I opened the NEF files in Lightroom Desktop, I was astonished.

Not only did the Zf focus accurately in those challenging lighting conditions—utilizing an older lens with an adapter—but its dynamic range handling was nothing short of remarkable.

The images were sharp, balanced, and nearly ready to use straight from the camera. Noise levels were well-controlled, and colors remained true, even the vibrant reds.

Honestly, I’ve never witnessed performance like this before—truly impressive.

Who the Nikon Zf Is Perfect For

This camera is geared towards professionals with an enthusiast's budget, making it an excellent choice for fine art photographers, landscape artists, and portrait specialists. Everyday parents looking to capture moments with their children will find the Zf appealing as well.

Event photographers may want to consider the Small Rig grip ($39) for lengthy occasions, such as weddings. Based on my haunted house experience, I would trust this camera for any significant event.

Lastly, if you enjoy taking photos with a beautifully crafted piece of machinery that doesn’t hinder your creativity, this camera is likely to resonate with you.

Who the Nikon Zf Is Not For

This isn’t a camera suited for sports events. It lacks bottom contacts for a professional grip, and it’s not designed for long, heavy, large-aperture lenses.

The same applies to bird and wildlife photography. It simply doesn’t fit that mold, and larger lenses would prove cumbersome.

For general travel photography, I still lean towards the OM-1, with its selection of compact lenses that allow for a full kit fitting in my carry-on.

However, if you prefer smaller prime lenses like the Nikon 28mm SE and 40mm SE, the Zf could work well as a travel companion. Just be aware that once you start adding zooms, the dynamics shift.

Bottom Line

Nikon has nailed it on their third attempt at merging vintage aesthetics with modern functionality. I never tried the Df DSLR due to its quirks and lack of video features, and while I attempted to appreciate the Zfc mirrorless, its performance left something to be desired. The Zf is the Nikon I’ve long awaited.

It stands as a serious mirrorless camera that allows me to undertake assignments requiring a full-frame sensor and low-light capability. I also appreciate its video capture abilities, as well as the chance to utilize my entire Nikon lens collection creatively.

Considering the current gear prices, the $2,236 price point, including the 40mm SE prime lens, is quite reasonable. Adding the FTZ II adapter allows you to assemble a fully functional kit for under $2,500.

With its impressive specifications and Nikon’s commitment to firmware updates, the Zf is a camera that should serve you well for many years. It truly is a modern classic.

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All photos by Derrick Story.

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